{"id":85,"date":"2016-02-15T14:52:00","date_gmt":"2016-02-15T13:52:00","guid":{"rendered":"http:\/\/www.annesophiemiclo.com\/?page_id=85"},"modified":"2026-03-09T20:56:14","modified_gmt":"2026-03-09T19:56:14","slug":"actus","status":"publish","type":"page","link":"https:\/\/www.annesophiemiclo.com\/index.php\/actus\/","title":{"rendered":"Actualit\u00e9s"},"content":{"rendered":"

\"\" Sarah Nance, anthropogeology (snowplow strata), 2018
digital archival print<\/p>\n

Recherche actuelle (2025 – 2027) :<\/strong><\/p>\n

Soixante ans d\u2019\u0153uvres vivantes dans les mus\u00e9es canadiens (1960-2020), \u00a0<\/span><\/em>soutenue par le Conseil de la recherche en sciences humaines du Canada (CRSH) et le Fonds de recherche du Qu\u00e9bec \u2013 Soci\u00e9t\u00e9 et culture (FRQSC).<\/span><\/div>\n
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Conf\u00e9rence \u00e0 venir :<\/strong><\/div>\n
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\n

(5-6 juin 2026). \u00ab \u00c9crire l\u2019indocilit\u00e9 du vivant : mutations des dispositifs textuels dans les mus\u00e9es d’art contemporain \u00bb. Journ\u00e9es d\u2019\u00e9tude \u0152uvres variables\u00a0: ce qui reste au mus\u00e9e quand tout change<\/em>, Universit\u00e9 Sorbonne Nouvelle, Paris, France.<\/p>\n

(1er juin 2026). \u00ab Quand documenter devient restaurer : accepter la d\u00e9gradation des \u0153uvres contemporaines \u00bb. Journ\u00e9e d\u2019\u00e9tude Faire vivre ou laisser mourir, Patrimoines vuln\u00e9rables<\/em>, INHA, Paris, France.<\/p>\n<\/div>\n

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Th\u00e8se (disponible en ligne) :\u00a0<\/strong><\/div>\n
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(2025). \u00ab Ce que le vivant fait aux mus\u00e9es d’art : une mus\u00e9ologie du vivant au regard de cas embl\u00e9matiques \u00bb Th\u00e8se. Montr\u00e9al (Qu\u00e9bec), Universit\u00e9 du Qu\u00e9bec \u00e0 Montr\u00e9al, Doctorat en histoire de l’art.<\/a><\/div>\n
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Publications r\u00e9centes :<\/strong><\/p>\n

(mars 2023). \u00ab Today We Reboot the Planet<\/em> : conserver et exposer le vivant \u00bb. Dans M\u00e9lanie Boucher, Marie Fraser et Johanne Lamoureux (dir.). R\u00e9inventer la collection<\/em>. L\u2019\u0153uvre d\u2019art et le mus\u00e9e \u00e0 l\u2019\u00e8re de l\u2019\u00e9v\u00e9nementiel,<\/em> Presses Universitaires du Qu\u00e9bec, Qu\u00e9bec.<\/a><\/p>\n

(mars 2022). \u00ab Three Variations on the Theme of Extinction: Looking Anew at the Art and Science of Mark Dion \u00bb. Dans Val\u00e9rie Bienvenue et Nicholas Chare (dir.). Animals, Plants and Afterimages: The Art and Science of Representing Extinction<\/em>, Berghahn Books, Oxford.<\/a><\/p>\n

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\"\"<\/figure><\/div>\n\n\n\n

Derni\u00e8re actualisation : mars 2026<\/p>\n","protected":false},"excerpt":{"rendered":"

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